Tag: theater

144 – The Tale of Jemima Puddle-Duck by Quantum Theatre

Co-hosts T.Q. Townsend and Chloë Townsend (and the rest of the family) saw a very funny musical production of The Tale of Jemima Puddle-Duck put on by Quantum Theatre at Bradgate Park in Leicestershire. This was NOT a show that was just for kids. Parents were laughing just as much as the children, and the creative use of minimal costumes and props gave the play the familiar feel of the kind of acting that children naturally do.

One thing we forgot to mention in the review is how awesome the programs were! Usually play programs just have the synopsis and cast and such, but this one had a lot of interesting information for the kids to read as well as a bunch of fun activities to keep them occupied while they waited for the show to start. Never thought I’d review a play program, but I am pleased to have that as a first.

Catch future performances before the tour is over! Book tickets at www.quantumtheatre.co.uk.

Learn more about Bradgate Park in Leicestershire at bradgatepark.org.

141 – Hamlet Unplugged Review

I saw Hamlet performed by The Lord Chamberlain’s Men at Bradgate Park in Leicestershire on June 22, 2024.

This theater company performs Shakespeare plays the way they were done back in the Bard’s day: no microphones, minimal sets, props, and costumes, and an all male cast. It was a fascinating experience to see Hamlet performed in a way that Shakespeare himself would have recognized, and I was pleasantly surprised at how easily my imagination filled in the blanks. “The play’s the thing,” after all, not elaborate sets or even actors who perfectly look the part.

Learn more about The Lord Chamberlain’s Men and the important work they do to present Shakespeare plays in their original style at tlcm.co.uk.

79 – A Midsummer Night’s Dream for Kids

Shakespeare isn’t really for kids. But some of the comedies, such as A Midsummer Night’s Dream, offer the perfect first introduction to the world’s greatest playwright. The play within a play about Pyramus and Thisbe in Act V can be lifted out and performed on its own as a fun, easy to understand first experience with Shakespeare. Here’s an abridged script for Act V that can be used to create a show for children, or even better — one put on by children!

Download the script here:

A Midsummer Night’s Dream, Act 5 (Abridged)

Also on this show, I mentioned some upcoming events for Tom the Tale Teller, who was last week’s guest along with his daughter Emmy. He will be performing at the Cheltenham Literature Festival in October, and on Sunday, July 2 he will be telling stories in the town of Leek at their annual festival celebrating the story of Sir Gawain and the Green Knight.

Activity: The Play’s the Thing!

Using the script for Shakespeare’s comic interpretation of Pyramus and Thisbe, have students put on a show! It is not necessary to memorize lines or have elaborate props, sets, or costumes. If it is appropriate to the age level, before rehearsals begin, provide background on the story of Pyramus and Thisbe as an ancient legend which would have been understood as a serious, somber tragic tale in Shakespeare’s day.

Activity: Comedic and Tragic Interpretations

Shakespeare probably wrote Romeo and Juliet and A Midsummer Night’s Dream in 1595, and both plays were produced and published very close together. Both plays draw on the story of “Pyramus and Thisbe,” an ancient tale which was first published in Ovid’s Metamorphoses. Both plays feature the story of a boy and a girl who fall in love despite the fact that their families are enemies. But one is treated with complete seriousness, and the other is meant to be a comic disaster.

Have students read the original story of “Pyramus and Thisbe” as well as a summary of Romeo and Juliet and the rustics’ performance in Act V of A Midsummer Night’s Dream. In a class discussion or as a written essay, have students reflect on how the same story can be interpreted so differently.

62 – Little Lord Fauntleroy Will See You in Court

Little Lord Fauntleroy, a charming story about the nicest kid ever, seems an unlikely subject for a landmark lawsuit. But Frances Hodgson Burnett’s tenacious defense of her rights to her own work forever changed copyright law in Britain, making things better for writers to this day.

Episodes of this show are usually about children’s stories themselves, but I thought it would be fun to share the history of what happened when theater producer E.V. Seebohm decided to rip off Little Lord Fauntleroy and put it on the stage in London, even though he had nothing to do with the book’s creation and its author directly refused her permission. At this point in history, authors had no way to stop unauthorized stage adaptations of their stories. Learn about Burnett’s tenacious defense of her rights and the creative legal strategy that helped win her case.

Activity: What is plagiarism?

Plagiarism means to copy someone else’s work and present it as your own. It’s a terrible idea, because when — not if — someone gets caught plagiarizing, irreparable harm can be done to their grades, reputation, and ability to find a job. It can also, as in the case of E.V. Seebohm’s plagiarized stage production of Little Lord Fauntleroy, result in trouble with the law.

Give children a short passage from Little Lord Fauntleroy to read, then help them to do the following:

  • Directly quote a sentence from the text, using correct punctuation and indicating the chapter number, title of the book, and the author.
  • Paraphrase a few lines from the text without exactly duplicating too many of the words, also indicating the chapter number, title of the book, and the author.
  • Plagiarize a sentence from Little Lord Fauntleroy by copying it partly or entirely into a sentence the student has written as the beginning of a new story.

Discuss the differences between direct quotation, paraphrase, and plagiarism with students, and tell them it is always best to ask for help if they aren’t sure if they have quoted or paraphrased a text correctly.

Sources Used in Research for This Episode

Nierman, Judith. (2010). Piracy Inspires “Real” Stage Version
of Children’s Classic. Copyright Notices, March 2010, p. 16. https://www.copyright.gov/history/lore/pdfs/201003%20CLore_March2010.pdf

Rogers, Edward S. (1902). The Law of Dramatic Copyright. Michigan Law Review, 1(2), pp. 102-120. https://www.jstor.org/stable/pdf/1272297.pdf

31 – Much Ado About Teen Drama

The characters in Shakespeare’s comedy Much Ado About Nothing — and the social drama they create — will be very familiar to high schoolers.  The young people in this story bicker, gossip, rush to judgment, send friends to handle tricky conversations for them, and fail to consider the reliability of information before repeating it.

The characters in the play mostly come in pairs. The most interesting character contrast happens between Benedick, who is patient, thoughtful, mature, and his good friend Claudio, who is hot-headed, impulsive, and easily manipulated. Teenagers studying this play can look at Benedick and Claudio for excellent examples of who is boyfriend material and who is not, considering how their actions would affect real life relationships.

Activity: Claudio’s Apology

Claudio never apologizes to anyone for his mistakes and bad behavior in Much Ado About Nothing. He feels sorrow, but he never actually says he is sorry. Have students write a letter from Claudio to Hero apologizing for what he did to her. In the letter, he should not make excuses for why he acted as he did or try to shift blame elsewhere. He should take responsibility for his actions and accept the consequences, explain what he should have done, and offer to make what amends he can.

After writing letters, students can share what they have written with one another.

Activity: Should Hero Take Claudio Back?

In Much Ado About Nothing the happy ending is very satisfying. The wicked plot to break up Claudio and Hero is exposed, the good guys are laughing and dancing, and the bad guys have been hauled off to jail. However, if the story happened to young people in real life, everyone may have reacted quite differently.

Ask students to consider the following questions about actions that characters take in this play. Students may use the questions as prompts for discussion or answer one or more of them in writing.

    • How do you think you would react if you were treated the way Hero was when Claudio accused her of cheating on him on their wedding day in front of all of their friends and family?
    • At first, Leonato believes the accusations against his daughter. He shouts at Hero about how disappointed he is and even says he wishes she would die. How would it feel to be treated this way by a parent? How should Leonato have acted instead?
    • Do you think Hero should have resumed her relationship with Claudio  after he had caused her so much harm? Why or why not?
    • What punishment would be appropriate for Don John?
    • Is it ethical for friends to scheme to get couples together, even if the intentions and outcome are good?

Activity: Modern-day Beatrice and Benedick

Choose a scene from Much Ado About Nothing in which Beatrice and Benedick have a “merry war” of words between one another. Rewrite the scene, using the same style of insults and teasing but with modern-day English. The scene could be written as a theatrical script or in prose.

Music In This Episode

“I Care Not For These Ladies” by Thomas Campian from Philip Rosseter’s A Booke of Ayres (1601)

“Breake Now My Heart and Dye” by Thomas Campian from The Third Booke of Ayres (1617)