Tag: economics

76 – Animal Farm

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Animal Farm by George Orwell offers something to virtually every academic discipline. Teenagers will be delighted to engage with it so long as it’s presented in an interesting and appealing way. In this episode, I give some ideas for how this book can be taught in different kinds of academic classes.

Also in this episode, I mentioned this heartwarming story I found about a town in Wałbrzych, Poland that is using handmade dolls representing Anne Shirley from Anne of Green Gables in order to raise awareness about the need for more foster families. I’d love to find more information about this story, but I don’t speak Polish, so if any listeners can help me understand some of the Polish-language reporting on this sweet story, I sure would be grateful!

Activity: Passive Voice

Teachers usually tell students never to use passive voice, and as a general rule this is good advice. Passive voice is when a sentence puts more focus on the person or object experiencing an action, rather than the person or object doing the action. A sentence written with active voice would be “The animals sang a revolutionary song called Beasts of England.” That same sentence in passive voice was “A revolutionary song called Beasts of England was sung by the animals.” Active voice tends to result in clearer, shorter, more easily understood sentences. Passive voice can sometimes make it unclear who performed an action.

But sometimes, passive voice can be used creatively for the sake of humor or to encourage the reader to figure out certain things independently. George Orwell uses passive voice in Animal Farm to draw attention to times when the pigs behave in a selfish or corrupt manner. These sentences often begin with “it was noticed” or “it was felt.”

Have students track times when passive voice is used in Animal Farm. Ask them to rewrite these sentences in direct voice, so that the styles can be compared. Then discuss how the passively construction sentences are more funny and thought-provoking, which shows that passive voice can sometimes be used, but only for a good reason.

Activity: Who Should Be Allowed to Vote?

In Animal Farm, the pigs steadily convince the other animals to stop making any decisions for themselves because they might sometimes choose poorly. The pigs take all leadership power for themselves, shutting out any non-pigs from the government of Animal Farm.

After reading this portion of the story, encourage students to consider the following questions. Answers may be given as written responses, discussed in small groups, or talked about as a class.

  • Who should be allowed to vote?
  • Should someone be allowed to vote if they can’t understand what the consequences will be?
  • Should children be allowed to vote?
  • What about those with mental disabilities?
  • Should there be things people have to do to gain voting rights, such as passing a civics test or performing some service to the community or nation?
  • Under what circumstances should someone have their voting rights taken away?

Activity: Political Slogans

In Animal Farm, the animals come up with a list of principles for their philosophy of Animalism, using the slogan “four legs good, two legs bad.” The pigs gradually begin breaking the principles until they change this slogan to “four legs good, two legs better.” The sheep are easily persuaded to bleat these slogans in a very pointed metaphor.

Have students research political slogans. Some are fairly honest and straightforward, like “I Like Ike.” Some summarize a political position such as “No Taxation Without Representation” or “No Nukes.” Others are more threatening, such as “Eat the Rich” or those which claim a country should belong only to a certain ethnic group. Each student in a class can research a different political slogan, focusing on the historical setting of the slogan’s creation and the message that it was meant to send. Students could also share their feelings about the slogan’s effectiveness and the implications of the policies the slogan advocates for.

71 – Sue Townsend

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Sue Townsend is Leicestershire’s most beloved author. While she primarily wrote for adults, she has been a major influence on other local children’s writers and her first three novels about the angsty, acne-plagued Adrian Mole remain beloved by teens and adults alike after 40 years in print. The Secret Diary of Adrian Mole, Aged 13 3/4, The Growing Pains of Adrian Mole, and The True Confessions of Adrian Albert Mole provide a spectacular view of the messy life of a teenager growing up in Britain in the 80’s.

The novels about Adrian Mole’s teen years are a good lesson in the history and politics of this period, offering a chance for kids to understand the different points of view on the issue of government assistance and social programs for those farther down the economic ladder. They also provide a great opportunity to spark conversations about how teenagers should deal with the increasingly adult problems they will have in their lives, sometimes sooner than they would wish.

Activity: Who Should Help Adrian?

Adrian Mole is a disadvantaged teenager. His parents have a volatile relationship, and for a while his mother moves away. Both parents have short-term relationships wiht other people, creating an even more unstable home environment for Adrian. Both parents smoke and drink heavily and depend on government handouts to pay the bills and put food on the table.

Issues such as welfare benefits, socialized health care, and who deserves help from society can quickly become abstract or even contentious, but teens can begin exploring these ideas in an age-appropriate way by keeping the focus on Adrian and his life. Students can explore the following questions in a classroom conversation or in an essay.

  • When parents fail to take care of their kids properly, what is the point at which help should be offered by outside groups such as churches, schools, or social workers?
  • Adrian had his first hangover at age 14. What public health information can you find out about the dangers of heavy drinking at such a young age? What do you think is a good way to talk to teenagers about the risks that come from drinking alcohol?
  • Adrian’s father loses his job and becomes too depressed to look for work, instead sleeping late and watching television during the day and depending upon government benefits to pay the bills. Without welfare payments to Mr. Mole, Adrian will not have enough to eat or a home to live in. Do you feel Mr. Mole should continue to receive money from the government?
  • If disadvantaged children do not receive help to ensure that they have homes, food, healthcare, and an education, it is more likely that they will work in lower-paying jobs, have poorer health, and be more likely to engage in criminal behavior. What are ways that disadvantaged children can be helped? How should the costs of such help be paid for? Who should decide what help a child’s family should receive?

12 – Speaking English with Little Lord Fauntleroy

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In Little Lord Fauntleroy, characters speak with many different kinds of voices. Characters are as lowly as a homeless shoeshine boy or as high and mighty as a British Earl with a seat in the House of Lords, but social status and speaking style aren’t what dictates a character’s morality. The most virtuous and most villainous characters in the book both have uneducated New York accents, showing that integrity and speech style are not tied together. And being wealthy and educated isn’t a guarantee of enlightened behavior; The grouchy old Earl is the most posh character in the book, and he starts out as selfish, rude, cruel, suspicious, and defensive. But he changes for the better after coming into contact with people who are different from him, showing that it is possible to go from posh and pompous to still posh but altruistic.

Frances Hodgson Burnett uses dialect heavily in all three of her children’s novels. In this second of five parts, find out how dialect is used to illuminate character without relying on stereotypes in Little Lord Fauntleroy. In fact, her use of dialect tends to defy stereotypes, demonstrating that good or bad personal character can be found in someone from any linguistic background.

Activity: Rewrite in Dialect

Provide students with a paragraph of text that they are already familiar with. It could be a passage from a book they’ve read, or an excerpt from a famous speech, or even a newspaper article. Have the students rewrite the text in a working class, middle class, or upper class dialect – or all three if you’ve got the time.

Smaller children who don’t have much of an understanding of politics or economics may need to have it explained as “write it the way a Queen would say it” or “write it the way someone would say it if they had never gone to school.” Have students share their work with one another and encourage discussion. An exercise like this can help students pay closer attention to how characters in books speak, and how they can write more believable characters in their own fiction.

11 – Dialect in the Works of Frances Hodgson Burnett

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Frances Hodgson Burnett was a woman who was knocked down many times in life, but this dual citizen combined her titanium British backbone with her American can-do attitude and made herself the most famous woman in the world. Her status can only be compared to that of J.K. Rowling, and her literary creations were just as much of a social phenomenon.

There isn’t another British or American novelist who addresses issues of social class more directly and thoroughly than Frances Hodgson Burnett. Plenty of authors do address issues of class, but it’s usually just within one narrow layer. shows people at every layer of society, from a starving homeless waif on the streets of London to the heiress of a diamond fortune in her three novels for children: Little Lord Fauntleroy, A Little Princess, and The Secret Garden. This first episode in a series of five gives an overview of Hodgson’s life and how it gave her a unique perspective on dialect and social class.

Activity: An Autobiography in Dialect

Children usually write a short autobiography at some point in school, but they are almost always instructed to use “proper” standard language. For this writing exercise, encourage students to write in a way that reflects their natural dialect and personal speech patterns. This can include use of slang words, irregular spelling, or creative punctuation to make the writing sound as realistic as possible.

Students can read their autobiographies to one another, providing a chance for students to notice and discuss mannerisms and speech patterns that make a written character more vivid.